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GLP Flies High with Florence and the Machine Supporting LD Andi Watson

Florence and the Machine’s grand world tour, which began late last summer in North America and subsequently spanned shows as far afield as Melbourne and London, will again prove that distance is no barrier as the festival season looms, with imminent outdoor events in Brazil and Europe. Masterminded by a largely new creative team, the lighting is based on an original concept from the highly imaginative Andi Watson, complementing Es Devlin’s set design. However, one long-term Florence collaborator is the show’s Lighting Director, Sam O’Riordan.Read More »GLP Flies High with Florence and the Machine Supporting LD Andi Watson

Julien Reux and Aaron Sweatt Pump Up All Time High Tour with CHAUVET Professional

First time visitors to an Epik High show can be forgiven if they think they stumbled upon a family reunion, or an annual gathering of old friends, such is the easy, natural, and very personal back and forth between this legendary award-winning South Korean hip-hop trio and their loyal fans. Tablo, DJ Tukutz and Mithra Jin, the trio that make up Epik High don’t just connect to audiences through their music and onstage charisma, they also welcome fans into their world, by sharing heartfelt stories and experiences. The crowd eagerly accepts the invitation with their warm, enthusiastic (and often loud) response their heroes.Read More »Julien Reux and Aaron Sweatt Pump Up All Time High Tour with CHAUVET Professional

Classic Rock Returns to the Road

Debi Moen catches up with Michael Ledesma, John “Grinder” Procaccini, Gregg Maltby, Joe Cabrera, and Cat West, as well as Rob Koenig, Nathan Alves, and Seth Jackson, along with several others about the gigs they are on.

Walker Hayes Brings Bandit Lites and The Darkroom Creative on ‘Duck Buck’ Tour

Viral country superstar Walker Hayes is back on the road for the Duck Buck Tour with a lighting system from Bandit Lites. The “Fancy Like” singer songwriter is known for his warm, family-friendly shenanigans and authentic lyrics. In fact, the whole Walker clan tours together, with his kids joining him on stage to take part in some of TikTok dances millions have learned. The family vibes don’t simply stop for Walker and his wife and children; the entire tour brims with a welcoming atmosphere, a sensation that Nathan Alves and Seth Jackson notes Bandit also prides itself on. “The Bandit experience is always like working with your family,” Jackson said. “Mike Golden (Bandit VP) and I reminisced that I first walked into his door 25 years ago.”Read More »Walker Hayes Brings Bandit Lites and The Darkroom Creative on ‘Duck Buck’ Tour

Elle King Takes Bandit Lites on Headlining Tour

Bandit Lites is proud to have provided lighting for Elle King’s A-Freakin’-Men Tour Presented by Slow & Low, which played to sold-out audiences across the country. King released her debut country album Come Get Your Wife to critical acclaim, as the multi-platinum artist scintillates audiences with a soulful sound that successfully fuses blues, rock, and country together with fierce lyrics. Read More »Elle King Takes Bandit Lites on Headlining Tour

Vari-Lite VL3600 Profile Enriches ‘Captivating’ Colors for Vance Joy

Celebrated Australian singer-songwriter Vance Joy’s In Our Own Sweet Time tour is traversing Europe through April, with a captivating lighting design by Sooner Routhier and Morgan Embry. The show was created to not bombard the audience with video or overstimulating lighting effects, but envelop fans in rich atmospheres and song-style-driven moods, which were delivered using Vari-Lite VL3600 Profile IP luminaires from Signify.Read More »Vari-Lite VL3600 Profile Enriches ‘Captivating’ Colors for Vance Joy

Using Technology to Accelerate the Design Process

Steve Cohen and Bob Bonniol collaborated on the lighting, video and scenic design for Blake Shelton’s “Back to the Honky Tonk” tour. Bonniol built a virtual video environment that worked as an extension of the physical set design using Unreal Engine. “We had created Blake’s honky-tonk. The idea was utilizing this video screen to be an extension of that environment,” said Cohen. “It was like you really couldn’t tell where the physical ended and the virtual began,” Bonniol added. “Working on Unreal was so nimble and so fast, and I was able to bring elements together so quickly; to light them and plot camera moves through them…we had 13 days of rehearsal, but because we were moving so fast, using Unreal, that allowed us to basically take three complete, thoughtful passes at the show, which is unheard of in concert work.”

21st Parnelli Awards Offer Surprises, Emotions, and Winners

Always full of surprises and the unexpected, the 21st Annual Parnelli Awards held on Friday April 14 started out with a big one: Outgoing NAMM CEO/President Joe Lamond was initiated in the Parnelli Hall of Fame. Also getting their due: Roy Lamb (Lifetime Achievement Award), Keny Whitright (Visionary Award), Marty Garcia (Audio Innovator) and more than two dozen others.

Luke Stratton Creates Mood for The Smashing Pumpkins with CHAUVET Professional

Luke Stratton didn’t have to read between the lines when he saw the creative brief for Smashing Pumpkins’ The World Is A Vampire festival, which took place in early March. He knew that the stage was going to be massive. “When I got the stage dimensions from the promoter and the lighting inventory list, I knew we were going big,” said Stratton. “Our trim wound up being about 60-feet to the steel and the stage itself was about 90′ by 70′, so yes, it was quite large.”Read More »Luke Stratton Creates Mood for The Smashing Pumpkins with CHAUVET Professional

‘Wu-Tang: An American Saga’ Takes a Tour Bus Ride Without Leaving the Stage

When the production team of the Hulu series’ “Wu-Tang: An American Saga” had an episode that took place primarily on a tour bus, they brought Carstage, an In-Camera Virtual Effects (ICVFX) specialist, onboard. While dealing with ICVFX for such a large vehicle like a bus may seem daunting, it was something Carstage had already tackled. They also got a big assist from Nationwide Video’s Secaucus, NJ location, which was just a five-minute drive from the filming stage.