Some venues just lend themselves to creating evocative looks on stage, believes Glenn Ottenbacher. That’s one reason why the lighting designer from A.G. Entertainment USA was only too happy to take on the project of lighting a shared headline show at The Pabst Theatre in Milwaukee, WI recently.Read More »Glenn Ottenbacher Accents Aesthetics at Pabst Theatre with CHAUVET Professional
The “divine art of subtlety” was palpable on the banks of Lake Vioreau, France recently at The Dub Camp Festival, as minimalist sub-bass sounds filled… Read More »Ecom-Events Sets Mood at Dub Camp Festival with Chauvet
Southern rock stalwarts Drivin N Cryin performed a big-looking show on the compact stage at Ghost Train Brewing Company in Birmingham, AL with expansive visuals from Gable Larramore. The LD used a ChamSys MagicQ MQ80 to drive the lighting rig supplied by Kauffman Sound that included Rogue R1 FX-B, Maverick MK1 Spot, and COLORado 1 Quad Zoom fixtures from Chauvet Professional.
Justin Quiles brought his reggaeton sound to the Universidad Santa Maria in Caracas recently, his first show in Venezuela in six years. Jeremy Danis of Oz Shows designed a light show using 50 fixtures from Chauvet Professional.
Lainey Wilson, who opened for Jason Aldean’s three Back in the Saddle shows at the Park MGM in Las Vegas Dec. 9-11, got full production looks from Aldean’s LD Keith Hoagland with a rig that included 18 Chauvet Professional Rogue R1 FX-B fixtures supplied by Bandit Lites.