Electronic music with live music from drumline and horn sections produces a unique acoustic and visually arresting live musical experience for ODESZA’s audiences. Co-Creative Directors Luke Tanaka and Sean Kusanagi along with Lighting Designer Kyle Kegan have been working with the band and PM Shane Crowl to ensure the visual design reinforces the dynamic performance on tour and at festivals during “The Last Goodbye Tour.”
The Last Rockstars, a Japanese supergroup, played sold-out dates in Tokyo, New York City, and Los Angeles. We speak with Lighting Designer Peter Morse about his rocking design that showcased the band in the best light, and with Video Director Kevin Garcia about capturing and livestreaming the Hollywood Palladium show globally, including to 100 movie theaters in Japan.
Maggie Rogers, the Grammy nominated singer/songwriter, record producer, and multi-instrumentalist, is touring with Lighting Designers Dan Hadley & Tess Falcone and Lighting Director Ali “Blue” Allison. Along the way, they talked to PLSN about working with the artist for “The Feral Joy Tour” and how the design supports the artist.
Mason Ford, Lighting Designer, Programmer and Director for Tove Lo’s “Dirt Femme” Tour, noted how the cloud set pieces were “the main element” at the start of his discussions with Creative Director Charlie Twaddle and the Tove Lo team. They opted to focus more on lighting than video—with no complaints from Ford—with a rig provided by Premier Global Production, the lighting vendor that had supported this artist’s “Sunshine Kitty” Tour in 2020. “When I heard from our Production Manager Tyler Young that we were going with [PGP], I definitely breathed a sigh of relief,” Ford said. “With Mark Donahue out as our Lighting Tech, and the gear they sent us out with, I didn’t have much to worry about.”
The annual Parnelli Awards ceremony is the one night a year we shine the spotlight on those who spend their careers away from it, toiling backstage. And the evening wouldn’t be possible without our forward-thinking, industry-supporting sponsors. Here’s a brief introduction to who they are and what they do for our industry.
Here’s a look at look at the lighting gear choices for two lighting designs, one for the opera “Macbeth” in New Zealand and the other in Chicago for the new musical, “The Notebook.”
Lighting Company
Premier Global Production
Venue
Various (Tour)
Lighting Company
4Wall Entertainment
Venue
Miami-Dade Arena
Miami, FL
Auckland based Spot-Light Systems – now part of the NEP Live Group – is among New Zealand’s leading lighting live show and event rental companies, and one that has continued to invest in Robe moving lights as the country emerged from the pandemic, adding 24 MegaPointes, 12 Tarrantulas to their existing fleets, and for the first time, 20 ESPRITES joined the inventory.Read More »Robe in the Spot-Light
PlugFest returned to Lille, France March 7-9, bringing together lighting professionals from across Europe to test products and learn about protocols and standards. The residential… Read More »PlugFest, the European Technical Lighting Event, Returns to France
As part an inventory renewal of static profile luminaires, the Paris Opera has ordered nearly 300 Robe T11 Profile and T11 PCs, which will join the 200 T1 and T2 Profiles already in place at the primary opera and ballet company of France. All the fixtures are supplied via Alterlite, and like the T1 and T2 moving heads, the T11s will be distributed between the Opera’s two landmark venues in the French capital, Palais Garnier and Opéra Bastille.Read More »T11 Profiles Join T1s and T2s at the Opera National de Paris
Copenhagen’s Det Ny Teater (The New Theatre) has recently invested substantially in new Robe moving lights with the purchase of 16 Robe T1 Profiles that have joined the house rig together with an additional 20 Spiiders (bringing the total to 30). Also new are two RoboSpot systems with two T1 Profile FollowSpots, plus 11 Tetra2 moving LED battens and 18 LEDBeam 350s.Read More »Copenhagen’s Det Ny Teater Boosts Robe Stock