Phil Galler, CTO for NEP Virtual Studio
PLSN’s Michael S. Eddy chats with NEP Virtual Studios’ Phil Galler on the state of the virtual production industry.
PLSN’s Michael S. Eddy chats with NEP Virtual Studios’ Phil Galler on the state of the virtual production industry.
PITTSBURGH – NEP Group today announced the launch of a new virtual production business segment, to be called NEP Virtual Studios, bringing on board industry… Read More »NEP Launches New Virtual Production Business Segment, Acquires Prysm Collective, Lux Machina and Halon Entertainment to Accelerate Market Footprint
Universal Studio’s sci-fi feature film, Oblivion, starring Tom Cruise, presents a post-apocalyptic earth, which would seem to demand heavy visual effects (VFX), and while there are many in the film, there are some surprising sequences that are, in fact, not CG. For two of the primary, futuristic sets — the Sky Tower and the Cloud Tower — cinematographer Claudio Miranda, ASC, and director Joseph Kosinski filmed most of the visual effects live in-camera rather than using green screens. It’s an old-school style that immerses the actors in the actual environment, but not the first instinct of filmmakers when the environment is supposed to be a cloud-surrounded glass-walled apartment 3,000 feet in the air.