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A Wise Move for Robe

2023 Spot Festival in Aarhus, Denmark with lighting provided by Soundwise. Photo by Maria Stougård Mathiasen

Soundwise is a busy Aarhus, Denmark-based full production rental company, which was founded by Lars Thorsager in 2001, initially, as you might expect from the name, as an audio specialist. Their client base includes music and cultural shows and events, touring and corporates, the latter being a rapidly expanding sector. It’s that growth in premium industrial shows over the last year that has fueled a new investment in Robe moving lights, with 12 ESPRITES and 12 LEDBeam 350s joining the rental fleet.Read More »A Wise Move for Robe

The Sphere in Las Vegas Illuminates Entire Exterior For The First Time

On July 4, the Sphere came to life with a captivating display of dynamic, animated content on the venue’s exterior – the Exosphere – transforming the Las Vegas skyline. As part of a special show to celebrate the Fourth of July, for the first time ever, Sphere’s 580,000 square foot fully-programmable LED exterior – the largest LED screen on earth – was completely illuminated. The show started with a welcome – “Hello World” – and was followed by fireworks and stars and stripes animations, before transitioning through a wide array of visual content, from vibrant underwater scenes to performances to vividly-textured lunar surfaces, putting on full display the versatility of this unparalleled canvas. Here’s some video of the Exosphere in operation:

Read More »The Sphere in Las Vegas Illuminates Entire Exterior For The First Time

Robe Catches the Spirit of Glastonbury 2023

Arcadia Spider 360-degree arena at 2023 Glastonbury Festival (Photo: Chris Cooper/ ShotAway)

Robe moving lights were in action across multiple stages at the 2023 Glastonbury Festival of Contemporary Performing Arts, including in three key ‘creative’ areas of the massive site at Worthy Farm, Pilton, Somerset in the UK. These were the spectacular fire-breathing Arcadia Spider 360-degree arena, the eclectic, fabulous and funky Park Stage, one of the most popular Glasto zones, and the BBC Introducing stage which showcases some of the hottest rising music stars and some cool unique pop-up performances.Read More »Robe Catches the Spirit of Glastonbury 2023

‘American Idol’ Goes Mega Again

The live finals of American Idol 2023 moved to a new, historic venue – Red Studios Hollywood – giving Lighting Designer Tom Sutherland of DX7 Design and Production Designer Florian Wieder the chance to create a fresh and exciting new look in this special space, which has embraced history and innovation in film and TV production since the early 20th century.Read More »‘American Idol’ Goes Mega Again

Eurovision Song Contest 2023

PLSN presents the lighting and video solutions provided by CT and Ayrton for the recent Eurovision Song Contest in Liverpool, England.

Infocomm 2023: FOR-A Unveils Complete Solution for Live Production

Highlights Include Alfalite Panels, Signal Processor with Color Correction, EZTrack Camera Tracking, ClassX XR, and NDI®-compatible Switcher

FOR-A Corporation heads to InfoComm with a complete live production ecosystem, including new innovations that are sure to grab attendee interest at the annual pro AV show. FOR-A’s solution includes Alfalite Litepix screens, the FA-9600 multi-purpose signal processor with HDR and wide color gamut support, the EZtrack® camera tracking system, ClassX graphics and XR technology, and the company’s new, NDI®-compatible HVS-190 video switcher.Read More »Infocomm 2023: FOR-A Unveils Complete Solution for Live Production

GLP Flies High with Florence and the Machine Supporting LD Andi Watson

Florence and the Machine’s grand world tour, which began late last summer in North America and subsequently spanned shows as far afield as Melbourne and London, will again prove that distance is no barrier as the festival season looms, with imminent outdoor events in Brazil and Europe. Masterminded by a largely new creative team, the lighting is based on an original concept from the highly imaginative Andi Watson, complementing Es Devlin’s set design. However, one long-term Florence collaborator is the show’s Lighting Director, Sam O’Riordan.Read More »GLP Flies High with Florence and the Machine Supporting LD Andi Watson

Virtual Production News

PLSN’s April 2023 “In the Volume” section starts off with news about disguise and XPLOR’s new partnership to tackle the skills gap in virtual production in the UK; how EMN Tech is teaming up with AOTO to build a virtual studio in Turkey; how Reno Studios is launching Taiwan’s highest-res virtual production movie studio in Taiwan, and how Vectorworks’ connection to NVIDIA Omniverse expands designers’ opportunities in the Metaverse.

Realizing an Otherworldly Performance for the ‘Kids’ Choice Awards’

For the Nickelodeon Kids’ Choice Awards, which aired March 4, 2023, the show featured a digital performance segment with rapper/Nickelodeon star Young Dylan. The sequence was shot via virtual production at LA’s Lulu Studio 18 with a Production Design by Silent House Principal Tamlyn Wright, who was Creative Producer, Production Design for the segment. Lulu Studio 18’s owner Michael Zinman served as Virtual Production Producer. Zinman and Wright share how they created the otherworldly, kid-friendly virtual environment.

Blake Shelton: ‘Back to the Honky Tonk’ Tour

From the creative minds of designers Steve Cohen and Bob Bonniol, working along with Felix Peralta, Blake Shelton’s “Back to the Honky Tonk” tour, with dynamic lighting, a cutting-edge video environment production design and a working bar stage extension, is a visually engaging theatrical experience. We catch up with the team to learn about the design and the practical solutions they relied on to realize it.

ODESZA: ‘The Last Goodbye Tour’

Electronic music with live music from drumline and horn sections produces a unique acoustic and visually arresting live musical experience for ODESZA’s audiences. Co-Creative Directors Luke Tanaka and Sean Kusanagi along with Lighting Designer Kyle Kegan have been working with the band and PM Shane Crowl to ensure the visual design reinforces the dynamic performance on tour and at festivals during “The Last Goodbye Tour.”