The ADJ Group of companies will be heavily represented at this year’s NAMM tradeshow in Anaheim, CA. ADJ will once again be the official naming… Read More »ADJ Group Prepares To Exhibit and Sponsor Stage at NAMM 2023
LDI – the annual gathering of the international entertainment lighting community – recently took place in Las Vegas (November 14-20) with an exhibit hall and attendance close to pre-pandemic levels. Alongside a wide variety of ADJ’s other recently released entertainment lighting products, the company’s booth showcased the comprehensive and fully road-proven Hydro range of IP65 rated automated luminaires, including profile, spot, beam, and wash fixtures. The Hydro Wash X7 model was also chosen to illuminate the show’s focal meeting point, the Circle Bar, where 32 fixtures were utilized by AG Production Services, the company responsible for creating the feature. In addition, two previously unseen mini spotlight fixtures and a new hybrid moving head were displayed on the ADJ booth for the first time anywhere in the world.Read More »ADJ Features New Products at LDI 2022
The ADJ team is gearing up for the first fully-fledged LDI trade show since 2019, set to take place later this month in Las Vegas. At the booth (#1032), the company’s comprehensive and fully road-proven Hydro range of IP65 rated automated luminaires will be showcased, including profile, spot, beam, and wash fixtures. In addition, a wide variety of ADJ’s other recently released entertainment lighting products will also be exhibited, alongside two previously unseen mini spotlight fixtures and a new hybrid moving head.Read More »ADJ to Showcase Road-Proven IP65 Rated Hydro Series Moving Heads and Other New Products at LDI 2022
With the tagline of Reunite Again, the 2022 Rebirth Festival was one of the first large-scale outdoor dance events to take place in the Netherlands following two years of pandemic-induced restrictions. It also represented a reunion between the organizers and production company Spectrum AV, which worked on the festival in its early years. However, the event grew extremely quickly and required a scale of production beyond what Spectrum was capable of at the time. A large production company took care of all of the stages at the festival in the intervening years, but following the pandemic decided to refocus their business on only larger stages. Therefore, for this year’s event, they recommended that the organizers brought back Spectrum to handle the midsize stages. This was partially because of their positive experience of working with them elsewhere and partially because Spectrum AV’s business model focusses exclusively on these medium-sized stages.