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Janet Jackson ‘Together Again’ Tour

Janet Jackson’s ‘Together Again’ tour is her 10th outing. For the ‘five act’ retrospective of her 50-year career, Eric Wade, Principal of Crossfade Design served as Production Designer as well as Tour Director. Troy Eckerman was Associate Lighting Designer/Lead Lighting Programmer. Both speak with PLSN about the production solutions supporting this dynamic artist’s tour.

Lewis Capaldi Tours with over 170 GLP Flexible Hybrid LEDs

Lewis Capaldi is currently touring the States, having recently completed his biggest European tour to date, visiting arenas in 32 cities over two months. Having played one of the last concerts before lockdown in March 2020, the Scot was out with a lighting package provided by Neg Earth, and new conceptual stage scenography orchestrated by Cassius Creative. This was constructed largely around GLP lighting solutions, notably a large grid of 102 JDC1 hybrid strobes.Read More »Lewis Capaldi Tours with over 170 GLP Flexible Hybrid LEDs

GLP Promises Lime with Everything at PLASA Show

At stand E5, everything centers around the color lime this time – and for good reason

When GLP gave a world premiere to the impression X5 at this year’s Prolight + Sound in Frankfurt, it established the new lime chip – which was quickly revered by LDs everywhere. An accompanying campaign entitled Our Lime makes the Difference helped reinforce the message about the expanded color palette.Read More »GLP Promises Lime with Everything at PLASA Show

GLP JDC1 and impression FR10 Bar Enhance Stage Design for RAF Camora

LD Felix Seidel created large adaptable spaces in Gotham City style on tour for hip-hop artist RAF Camora with GLP products, using 32 impression FR10 Bars and 20 GLP JDC1. The tour through Germany, Austria and Switzerland support the three albums that the artist has released since 2019.

Sam Tozer Uses 360 GLP JDC Line 1000 Fixtures in the Saudi Desert

The massive MDLBeast Soundstorm EDM event took place near Riyadh, Saudi Arabia in late 2021. Lighting Designer Sam Tozer made use of 360 of GLP’s new JDC Line 1000 fixtures that were set up for the UG1 stage. UG1 was the largest of the four Underground stages at Soundstorm lit with gear provided by Colour Sound Experiment.