It’s been a busy year for lighting and production designer Chris Lisle and his company CLLD. The production design firm recently wrapped up work on Lollapalooza, their sixth major event back to back, where they relied on an Elation-centered rig including Proteus series IP65 luminaires to light Perry’s Stage.
Hundreds of thousands of people gathered in downtown Nashville to celebrate the Fourth of July with a big concert event and fireworks show in the heart of Music City. Bandit Lites provided lighting for two stages: the main stage on Broadway featuring Old Dominion and 17 Nashville-based artists, and the Ascend Amphitheater where the Nashville Symphony Orchestra performed.
After two summers of waiting, festivals are once again flourishing, bringing musicians, fans and production partners together. But while their sudden return is a welcome development for the live event production industry, the festival landscape in 2022 is not without its challenges. PLSN shares current perspectives from designers Chris Lisle and Patrick Dierson and vendors including 3G Productions, 4Wall Entertainment, Bandit Lites, Brown Note Productions and Music Matters Productions.
Music City bid farewell to 2021 with Nashville’s annual free New Year’s Eve celebration. Crowds poured into Bicentennial Park as Bandit Lites supplied Chris Lisle… Read More »Bandit Lights Bicentennial Park for Nashville New Year’s Eve
NASHVILLE – Alice Cooper has spent half a century entrancing, shocking, and entertaining the masses with his signature brand of rock psycho-drama. The music legend recently wrapped a fall tour with longtime lighting partner, Bandit Lites.
From the PLSN Podcast Archives, with Chris Lisle – Production Designer out of Nashville
Foster the People fans at the recent Firefly Festival June 21-23 in Dover, Delaware, were treated to a specially designed one-off production to tie in with the band’s new album in progress. “The show design was based around seven towers, eight to 28 feet high, that all rotated for a constantly evolving environment,” said Trevor Stirlin Burk, the production designer, creative director and show director of Foster the People.“We also collaborated with The Los Angeles Contemporary Dance company. It was super ambitious for the band to want to do a brand new production from scratch, specifically for Firefly. By all accounts it paid off.”