Scottish singer-songwriter, Gerry Cinnamon, concluded his 10-date summer tour of the UK and Ireland with two sell out dates at his hometown stadium, the 50,000-capacity Hampden Park National Stadium in Glasgow, in mid-July and simultaneously made history as the first independent act—and the first Scot—to sell out multiple nights at the venue.Read More »Pete Hutchison Spices up Gerry Cinnamon’s Summer Tour with Ayrton
“It’s been a while, but we’re going on tour in November and can’t wait to see you again.” The multi Brit-Award winning band did indeed get a good look at their legion of loyal fans as they blew the roof off 13 sold-out venues, thanks to a dynamic lightshow run on ChamSys MagicQ MQ250M console that featured ample amounts of engaging audience lighting.Read More »ChamSys Helps Kaiser Chiefs Engage Crowds on UK Tour
For the U.S leg of Phoebe Bridgers’ 2022 world tour, Gateway Studios & Production of St Louis provided LD Spike Kienholz Inglis of Spike Design with a Robe moving light rig. The setup included 24 MegaPointes, 24 Spiiders, 16 Tetra1s and six FORTES.
LIVERPOOL, U.K. — Adlib supplied technical solutions, system design and infrastructure, plus audio, lighting, AV and equipment for the 2014 International Festival for Business (IFB). The production company worked with creative design specialists Evoke on the project.
GLASGOW — Scottish alt rockers Del Amitri reunited and hit the road for the first time in 12 years with lighting, sound and crew supplied by Liverpool based rental specialist Adlib. Lighting was designed by Adlib’s Ian Tomlinson. His brief was to create a cool theatrical style show with no manic strobing and visual craziness. The production carried their own rig and also made use of some of the house lighting rigs where appropriate.
LIVERPOOL, UK – UK rental specialist Adlib is supplying lighting, sound, rigging equipment and crew for the current Elvis Costello and The Imposters ‘Revolver’ UK and European tour. It’s the first time that the Liverpool based company has worked with Costello. There’s no formal set list in the show. Songs are chosen – enough to fill nearly three hours of performance – largely by audience members invited onstage to spin a giant wheel bearing different song titles, with a pool of more than 100 potential numbers.
