TOKYO – MediaFace helped the owners of Ibaraki Wedding Hall set their services apart from competing wedding businesses with two Robe DigitalSpot 3000 DTs in each of the guesthouse-style venue's banqueting halls.
Alison Krauss & Union Station Featuring Jerry Douglas
“We first saw the Sea Changer in Las Vegas at the LDI Show last year and were very impressed with its rich colors and minimal loss light out-put. I contacted Tom Morris with Sea Changer to check availability in hopes of using them on the Alison Krauss and Union Station tour. The show doesn’t require a lot of light movement, and it seemed to fill the bill as a reliable color changer.
They were able to deliver 40 units in our time frame, so we fit them into our Source Four lekos and used them on a brief Tony Rice/AKUS tour. Two of our lighting guys, Alex Blagg and Ed Welsh, loved the units and wanted to incorporate them into the current Hundred Miles or More tour. We suggested them to Howell, who put them into his design. They have performed flawlessly. — Cliff Miller
Production and Tour Manager for Jimi Hendrix, Queen, Pioneered the Tour Manager Position with Clear Head, Cool Hand
Stickells was one of the early innovating production managers and influenced the whole shape of gigging in the early years,” states Brian Croft, recipient of the first Parnelli Lifetime Achievement Award in 2001. “He famously dealt with any logistic problems with great confidence and is admired by everyone he does business with to this day.”