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Heroes Not Hard To Find in Las Vegas

[caption id="attachment_281705" align="alignnone" width="806"]Firehouse gives AV Vegas a hand in time or needFirehouse gives AV Vegas a hand in time or need[/caption]

LAS VEGAS – AV Vegas provided sound, lighting & backline for the “Next From Nashville” stage at the Route 91 festival. Our stage finished an hour before the festival ended on Oct 1 and our crew was busy striking our gear when the shooting began. Two trucks had already been loaded and the lighting was mostly packed and riggers were taking motors down when concert goers began running towards our stage to get away from the shooting. Everyone has seen the story on TV. It was awful and I won’t recap it here.

PRG’s Zach Alexander, the Media Operator on Oblivion, is shown controlling the Mbox media server using the V676 Control Console. Photo by David James/Universal 2013

Lighting ‘Oblivion’ with a Projected Sky

Universal Studio’s sci-fi feature film, Oblivion, starring Tom Cruise, presents a post-apocalyptic earth, which would seem to demand heavy visual effects (VFX), and while there are many in the film, there are some surprising sequences that are, in fact, not CG. For two of the primary, futuristic sets — the Sky Tower and the Cloud Tower — cinematographer Claudio Miranda, ASC, and director Joseph Kosinski filmed most of the visual effects live in-camera rather than using green screens. It’s an old-school style that immerses the actors in the actual environment, but not the first instinct of filmmakers when the environment is supposed to be a cloud-surrounded glass-walled apartment 3,000 feet in the air.