Lighting Design: ‘Macbeth’ and ‘The Notebook’
Here’s a look at look at the lighting gear choices for two lighting designs, one for the opera “Macbeth” in New Zealand and the other in Chicago for the new musical, “The Notebook.”
Here’s a look at look at the lighting gear choices for two lighting designs, one for the opera “Macbeth” in New Zealand and the other in Chicago for the new musical, “The Notebook.”
Broadway’s longest running show in history, The Phantom of the Opera, takes its final bows and will go dark, closing in mid-April. PLSN speaks with some of the creative and production team who have been with the show since the beginning 35 years ago. Sharing their thoughts are Lighting Designer Andrew Bridge, Associate LD Vivien Leone, Head Electrician Alan Lampel. We also talk with Gary Fails about the fog system, which is integral to the overall impact of the show.
Designer James L. Moody died this year at the age of 80. A pioneering lighting designer for concerts, television, and theater as well as a professor, lecturer, author, and mentor, Moody had an amazing and varied career that influenced many throughout the live entertainment industry.
Find out who’s working on what projects as Debi Moen shares the scope on SZA’s S.O.S., Hayley Kiyoko, Brit Floyd, Billy Idol, and the CMT Music Awards in Austin, among other gigs.
Chris Lose takes a fun look at how to avoid being efficient, responsive and client-centric as he recounts a recent rehearsal studio experience that left him bemused why others don’t offer similar accommodations.
Lighting Company
Premier Global Production
Venue
Various (Tour)
Lighting/Staging/Scenic Company
Deep South Productions
Venue
Beaumont Event Centre/Great Lawn
Beaumont TX
Lighting Company
4Wall Entertainment
Venue
Miami-Dade Arena
Miami, FL
Lighting/Video/Staging Company
Everlast Productions Inc.
Venue
MGM Grand Ballroom
Las Vegas, NV
Lighting/Video/Staging Company
Music Matters Productions
Venue
State Farm Arena
Atlanta, GA
Lighting Company
PRG
Venue
Various (Tour)
PLSN Editor Michael S. Eddy introduces readers to the debut of a new monthly section that starts with this issue: In the Volume. It will cover all things related to virtual production.