Sarah McLachlan
Lighting Co
Christie Lites
Venue
Varous (Tour)
Lighting Co
Christie Lites
Venue
Varous (Tour)
1. Terms By accessing this web site, you are agreeing to be bound by these web site Terms and Conditions of Use, all applicable laws… Read More »Terms of Use
Let me tell you about my friend Justin Lang. Like a lot of us, I knew Justin’s work before I knew him. A few years ago, he started a blog called iSquint and he gained a huge following by following the live event industry. But he did it surreptitiously without telling anyone who he was. I kid him that he did this on purpose so that his reputation actually would precede him. It’s been said about a lot of people but in Justin’s case, it’s really true.
Howard Ungerleider's designs for Rush's Time Machine tour called for more special effects than the band's previous Snakes & Arrows tour. Pyrotek Special Effects' John… Read More »Blast from the Past
Imagine being the video and scenic designer for a one-man show – more specifically, a comedian's irreverent take on the history of the world – and that person is Colin Quinn. His director is Jerry Seinfeld, and the show is a special history lesson that lasts only 75 minutes. But you only have a couple of weeks of prep time before getting into a Broadway venue. Sounds a bit challenging, doesn't it?
Creating OMG with Lighting and Video
If you meet and talk to Peter Morse for five minutes, you might never know what a rich history he has in the entertainment industry. He’s very modest and down to earth, and he doesn’t often drop names or bring up his many accomplishments.
What if – just if – a lighting designer who has done plenty of club installs actually became a lounge proprietor himself?
Crazy? Crazy enough to work.
Celine Dion has said: “If God would have a singing voice, he would sound a lot like Andrea Bocelli.” Dubbed “the world’s most beloved Italian tenor,” Andrea Bocelli has performed for political figures, the Pope, and in packed stadiums. He’s collaborated with opera’s top names and pop stars as well as Muppet puppets.
For 40 years, London-based White Light has been supplying lighting equipment to the entertainment industry. Although manufacturing is not their primary focus, they have been building the VSFX image projector for some time. But they turned to City Theatrical to work with them in a joint venture to improve the product. According to City Theatrical president, Gary Fails, the VSFX had some "design challenges that White Light wanted to overcome."
Many shows today involve combining multiple layers of video content, either on a single display screen or across multiple screens of various resolutions. When you're working with a media server, there are some tricks that you can take advantage of to set up the scale, aspect ratio, and X & Y position palettes to reduce the need to resize your content ahead of time. Here is a little known feature available in the Mbox EXtreme v3 that can make programming easier.
They say that economic downturns are opportunities if you have the leverage to take advantage of them. Production Resource Group (PRG), one of the biggest suppliers of entertainment and event technology systems, looks like it has done just that to broaden its reach into new markets. In January, PRG acquired New York-based AV post facility Pow! Pix.
It is very common for an automated lighting programmer to be hired to program and operate for a one-time concert. These "one-off" events are often tied to other productions such as corporate events, houses of worship, parties or music festivals. The programmer must prepare for a band they know little about and operate the lights accordingly to keep the audience and band member's interest.