Super Bowl XLVII: The Technology and People Behind Beyonce’s Halftime Show
When the clock ticked down to 00:00 at the end of the first half of Super Bowl XLVII, more than 700 people began a well-choreographed and meticulously rehearsed process to get the Pepsi Super Bowl XLVII Halftime Show onto the field. In under eight-minutes, the field was transformed into a fully realized concert spectacular. Beyoncé, along with a reunion of Destiny’s Child, entertained the 75,000+ football fans in the stadium and over 108 million people watching worldwide. Twelve minutes later, the field was just as quickly cleared and the game resumed. (Okay, for only a short time before an unscheduled break, but that is not our industry’s story to tell.)
Jeff Ravitz, LD for Bruce Springsteen and the E Street Band
Jeff Ravitz, longtime LD for Bruce Springsteen and the E Street Band, got a surprise call in late 2011: The Boss would once again be hitting the road with the 2012/2013 Wrecking Ball tour, with a new five-piece horn section attempting to fill the void left by The Big Man, Clarence Clemons, who died June 18, 2012. Ravitz and fellow Intensity Advisors designer Kristie Roldan were in New Jersey most of February for rehearsals. The tour launched in Atlanta after pre-tour gigs at the Apollo Theatre in Harlem and Austin’s South by Southwest Festival.
Lighting the Grammy Awards
There are two things that you need to know about lighting the Grammy Awards, the 55th annual edition of which was telecast on CBS Feb. 10 from the cavernous Staples Center in downtown Los Angeles. First, even though the venue holds nearly 20,000 when seating can be extended to include the floor (it’s less than half that for basketball and hockey — it’s a big floor), and the first 20 rows on that floor hold the crème de la crème of the music industry, the show isn’t about them. Rather, it’s about the 28.37 million or so pairs of eyeballs that the show drew this year, some of which will buy recordings that they might not otherwise have. The camera adds ten pounds and 10 million units of sales. On a less pecuniary level, it’s also about presenting a record industry as robust, creative and vital despite concerns about losses to piracy, a bad economy and growing consumer ennui.
iWeiss Rebrands, Expands, Partners Up
Sure, you know iWeiss.
Or do you?
Don’t confuse it with I. Weiss, the century-old supplier of soft goods to Broadway productions. Building on that legacy, the company continues to embrace that market while expanding into others. This includes putting their rigging expertise to work on different projects, and their foray into products like the ViaWinch.LD/Programmer Steve Richards
PLSN: Steve, tell us what you’ve been up to lately.
Steve Richards: I just finished the U.S. leg of the Gotye tour. I was also the lighting director for Lady Antebellum. That was a long run, but it was a lot of fun. And I’ve also been working for U.K. artist Cher Lloyd. She was on X Factor a couple of years ago. She’s got a single out now, and I’ve been doing some promo stuff with her.Top 40 Rules of the Road
Industry veteran Bob Higgins has more than 30 years of experience in the touring industry as a video producer, director, editor, dancer, troublemaker, and problem solver. With the help of contributing minders K. Lipschutz, G. Jones, V. Jarvis, A. Kramer, R. Alvarez, W. Willoughby, and B. Riedling, he’s pieced together the following rules, gleaned from his own early mistakes, mistakes he’s seen along the way (with the shipping records as proof), eyewitness accounts, and road stories too numerous to mention. Please read carefully, you will be tested daily…
Elation Event Cylinder
GAM LED Stik-up
Experimenting with New Technology
On a recent show, I chose to work with several new pieces of technology. I love the opportunity to work with new equipment, learn new concepts, and discover new creative ideas! The experience was challenging, but it was definitely well worth it. Here’s a recap.
Roland V-800HD Multi-Format Video Switcher
The world of video switching gets thicker and more competitive by the month, it seems. For example, the small-to-medium multi-format market is booming right now — and for good reason. Lots of different devices offer lots of different I/O options. Designers “in the biz” realize that they need to provide a lot of bang for the buck, and it usually falls upon the technical crew to come up with the solution.
Making the Most of Vectorworks Spotlight
In contemporary society, some may argue that man is plenty without tools, but perhaps Thomas Carlyle was on to something. Perhaps a stronger argument can be made for the fact that man improves with tools—so long as they’re the right ones. That sounds right to me, especially when it comes to design tools for the entertainment industry.