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Rose Brand once again handed out Action Design Competition awards and swag to the scenic designers of tomorrow. Photo by Jacob Coakley

USITT’s 2013 Conference & Stage Expo was One for the Books

The United States Institute for Theatre Technology (USITT) reported a banner year for its four-day Annual Conference & Stage Expo. Held March 20-23, 2013 at Milwaukee, Wisconsin’s Delta Center, the event attracted more people and products than any other in the conference’s 53-year history.

The Killers Battle Born Tour

The Killers Battle Born Tour

For more than a decade, The Killers have been pumping out hard-driving, danceable and emotionally-charged rock music, with glimmers of techno pop. Through his eight years (and counting) as a member of the band’s production team, lighting designer/director Steven Douglas has kept the visuals as fresh as the music.

LD Oli Metcalfe on tour with MUSE, photo by Steve Jennings

Oli Metcalfe, LD for MUSE

The British trio, Muse — including Matthew Bellamy (lead vocals, lead guitar, keyboards), Christopher Wolstenholme (bass, vocals, keyboards, rhythm guitar) and drummer/percussionist/synthesist Dominic Howard, with the addition of keyboardist/percussionist Morgan Nicholls on their live performances — offer an engaging blend of electronica, metal, classical and space rock.

CNN’s Virtual Studio uses immersive imagery to teleport Tom Foreman into settings relevent to his news coverage.

CNN’s Virtual Studio is The Real Deal

Show, don’t tell. Although this time-tested saying has most often been associated with fiction writing and storytelling, one major television news network has embraced this inspired phrase as their own mantra. Tune into CNN any given night and witness what appears to be visual magic occurring right before your eyes. Case in point: During a broadcast of The Situation Room with Wolf Blitzer in December 2012, a virtual 3D graphic depicting a North Korean satellite, with the approximate dimensions of a large car battery, spins in mid air over what appears to be an translucent news desk.

NBC Sports turned to FLDA for LED lighting for its new home base in Stamford, CT

NBC Sports’ New Energy-Efficient Headquarters Facility

This year, NBC Sports launched their new headquarters in Stamford, CT — a new home for everything sports-related for the media giant which, after a merger with Comcast in Jan. 2011, led to the re-branding of Versus, Golf Channel and other Comcast-launched entities as part of the newly-created NBC Sports Network in Jan. 2012. Most NBC Sports operations are now Stamford-based, including Bob Costas’ Costas Tonight; an exception is Football Night in America, which remains at Rockefeller Center in NYC.

Roland’s V-800HD at Red Bull’s THRE3Style DJ competition in Chicago

Roland Systems Group: The Visual Journey Continues

“Roland has always been part of the live performance world through our instrument division, so we bring a unique perspective to the table in the development of our video equipment,” says John Broadhead, VP of Technology & Communications for Roland Systems Group.

At the Special Olympics in Beijing, Ted Wells called cues for followspots through a Chinese interpreter

TV LD Ted Wells: Painting with Light

Television lighting designer Ted Wells has been honing his craft since the early 1970s. He starting out in Topeka, KS where, while still a student, he got work at the local PBS station and the CBS affiliate. He didn’t even have dimmers at the PBS station, but came up with lighting cues using a breaker panel, which no one at the station had ever seen done before.

Thomas Riedel

At 25, Riedel Looks Back – And Ahead

You only turn 25 once, and what Riedel Communications did to mark their quarter century in business was a doozy. The party itself took place at their headquarters in Wuppertal, Germany where 1,400 revelers joined in a celebration that included musical performances, high-wire acts, a robot band (playing heavy metal), outdoor whirlpools and a fire show. The event also capped a banner year of projects that included the Olympic Games, the UEFA Euro 2012, and the Red Bull Stratos project, among hundreds of others.

Lighting for Video - The Evolution of Cool

Lighting for Video – The Evolution of Cool

The history of lighting dates back to a distant time when there wasn’t any artificial lighting at all. In fact, in the early days, some film studios were designed with a rotating open roof to allow the maximum amount of natural light to fill the stage. Film companies moved to Hollywood in droves, where natural light was plentiful. Inevitably, directors wanted to film in the evenings, and they had the audacity to want a little “visual mood” in their scenes. Thankfully, along came Thomas Edison, followed closely by Mr. Mole, Mr. Richardson, and the Kliegl Brothers. Suddenly, the “electric” lighting industry was born.

Shania Twain at Caesars Palace Colosseum with video support from Bob Bonniol

Bob Bonniol, Video Designer for Shania Twain at Caesars Palace

Shania Twain’s new show, Still the One, began its two-year, 110-show residency at Caesars Palace in Las Vegas on Dec. 1, 2012. During the 100-minute, 18-song show, the venue’s 34-by-109-foot-wide 11mm HD LED screen is used to display a variety of images — from kaleidoscopic abstractions to clips featuring Twain, a Wild West saloon, leopards and a campfire scene in a forest.

Barco PDS-902

Barco PDS-902

I’ve been on a switcher binge as of late. Multi-format switchers, that is. Besides an output source, the absolute heart of any rig is the switcher. In the production world, there has been an arms race of sorts, the race to cram more into less. The 1RU form factor is the de facto size, and there are only a few issues we need to overcome in order to make this the sweet spot for switching.

Litepanels Sola 12

Litepanels Sola 12

Tungsten halogen lamps have been used in the theatrical, TV and film lighting industries for more to 50 years, and to some, they still remain the preferred lamp source. With the much-discussed LED revolution, advances in technologies have led to lighting alternatives that are just as bright but lower in wattage and energy consumption and cool and quiet in operation. And while there have been downsides, including a much-higher upfront cost, the benefits have been compelling enough to create a strong shift in demand toward LEDs. These include the costs associated with lamp replacement (including labor) and HVAC cooling along with more expensive power bills.