Harry Styles “Live on Tour”
Singer/songwriter Harry Styles, who rocketed to fame as a member of the British/Irish boy band One Direction in 2010, has been busy since the band… Read More »Harry Styles “Live on Tour”
Singer/songwriter Harry Styles, who rocketed to fame as a member of the British/Irish boy band One Direction in 2010, has been busy since the band… Read More »Harry Styles “Live on Tour”
Maroon 5, which had toured the world from early 2015 to late 2017 on their fifth tour in support of their fifth album, called, simply… Read More »Maroon 5 Red Pill Blues 2018 Tour
With No Set List, Tour Keeps Crew On Their Toes For the creatives chosen to put Jack White’s Boarding House Reach tour together, the challenge… Read More »Jack White ‘Boarding House Reach’ Tour
We caught the Demi Lovato Tell Me You Love Me world tour, in support of her latest album of the same name, in its first… Read More »Demi Lovato ‘Tell Me You Love Me’ World Tour
Creative director and scenic designer Willo Perron (Drake, Lady Gaga, Jay-Z), worked with choreographer and show director Annie-B Parson (David Byrne, Laurie Anderson, David Bowie) to collaborate on the “Fear the Future Tour” with singer-songwriter and multi-instrumentalist Anne Erin “Annie” Clark (better known by her stage name, St. Vincent.) We spoke with the tour lighting and production designer Jesse Blevins (Jay Z, Rihanna, Demi Lovato, Lenny Kravitz) and lighting director and programmer Meagan Metcalf (Sheryl Crow, Fleet Foxes, Metric, Chromeo) to get some insight on the show.
The Wonderful, Wonderful world tour is the fifth major concert tour by the Las Vegas rock band The Killers, to support their fifth studio album (of the same name) which was released last September. Back behind the lighting console is Steven Douglas, the only LD they have had since he started working with them in 2005. The band started the tour playing festivals last fall, then touring in the U.K. and Ireland before Christmas, where they have had a large following for most of their career. They embarked on a U.S. arena run at the start of the year.
As is the case with most large-scale designs, an artist and his production staff will sign off on some great artwork that paints a beautiful picture. Then it’s up to the production manager, with the aid of said designers, to find someone that can make this vision a reality. This often requires some engineering of the serious kind, as life and death can be involved when tons of scenery are moving overhead.
Singer-songwriter Halsey exploded on the music scene when she put out her debut 2015 platinum selling debut album, Badlands. Along with the huge 2016 collaboration with The Chainsmokers on the song “Closer,” Halsey is now touring arenas in support of her 2017 second album, Hopeless Fountain Kingdom. We spoke with the tour’s lighting designer Sooner Routhier, production designer Robert Long (both of SRae Productions) and lighting director and programmer Craig Rutherford.
We caught up with Canadian rock band Arcade Fire on their “Infinite Content” tour in Denver, CO, where the eight member band, including husband and wife Win Butler and Regine Chassagne, Win’s brother William Butler and the rest of the band swap places and an array of instruments throughout the show. The tour continues into 2018 for dates in the United Kingdom and ends in March in Madrid, Spain. We spoke with creative director Tarik Mikou (of Moment Factory), lighting designer & director Chris Bushell and video director Icarus Wilson-Wright.
Queen + Adam Lambert are back on tour and it also happens to be the 40th Anniversary of the News of the World album, which is nicely tied into the concept of the show. We talked to two key individuals who both have history with the band from previous Queen tours, lighting designer & director Rob Sinclair and set designer Ric Lipson of Stufish.
Metallica’s current “WorldWired Tour” is in support of the band’s Hard Wired… To Self-Destruct album, released last fall. We spoke with the band’s longtime lighting designer and director, Rob Koenig, about working with Dan Braun (show director and set designer) and the tour’s design and logistics he’s encountered for this massive production that’s been filling stadiums around the world. The tour began last year and included a run of stadium dates in North America this past summer. The band is continuing with a series of dates in the U.K. and Europe this fall and next spring.
We caught up with production and lighting designer Ethan Weber and lighting director and programmer Tommy Horton for Green Day’s hometown show in Oakland, CA. Although the band has been playing mostly in arenas and sheds for their Revolution Radio tour, this show, staged on Aug. 5 at Oakland, CA’s Alameda County Coliseum, is one of the band’s stadium gigs. The tour, in support of Green Day’s Sept. 2016 album by the same name, is a 120-show trek that launched Sept. 26, 2016, one day after the album’s debut. Since then, the Revolution Radio tour has included multiple legs in North America and Europe along with a series of shows in Australia and New Zealand. After a performance at the Global Citizen Festival in New York’s Central Park on Sept. 23, the band heads to South America and Mexico for a series of shows this November.