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Lestat Takes a Bite Out Of Broadway

Lestat Takes a Bite Out Of Broadway

LestatClaudia.jpgAs vampire musicals come and go on Broadway, they leave very little by which to remember them. This spring promises a new kind of vampire story in Lestat, based on the best selling books by novelist Anne Rice. Lighting designer Kenneth Posner, projection coordinator Howard Werner and visual concept designer Dave McKean, who have been involved with the project for the past two years, have brought a unique and powerful visual aesthetic to this dark dramatization, which has come of age on Broadway at the Palace Theatre.

Biting Back

The true context to globalization is the intellectual property (IP) debate. As industries redistribute their sales and manufacturing throughout the world in search of both new markets and increased productivity, it’s inevitable that cultures are going to clash. That’s at the heart of the IP issue: from a Western perspective the need for IP protection is a no-brainer—the ability to protect ideas enables companies to move forward in developing and capitalizing them in anticipation of a return on that investment.

ESP Vision 2.0

Vision2.jpgZzyzx Inc. of Las Vegas has recently released version 2 of their ESP Vision visualization software program designed for programming lighting cues outside of the venue without using a lighting system. With this program, a lighting designer can make beautiful photo realistic renderings that depict what a show will look like, and convert these drawings to a video presentation of the event.

Cue Theatre Vibe, and Go

PLSN_LDatLarge_May06.jpgLast winter, I got a call from a Chicago friend asking if I would be interested in designing the lighting and a set for a theatre tour. The artist is R. Kelly, a popular R&B singer, and he wanted to do something different. Robert (the artist’s real name) was used to playing arenas, but this time he wanted an intimate show in a theatre environment, complete with set changes and different themes for five sets of music.

Hey, You, Get Off of My Cloud

“No man is happy without a delusion of some kind. Delusions are as necessary to our happiness as realities.” – Christian Nevell Bovee, author/lawyer

If ever you feel like the deposits in your self-esteem account are outpacing your withdrawals, you might consider letting your significant other loose with your ego credit card. That should take care of any excess balance you might have.

Three Years After Rhode Island, Pyro Shoots Back

FIREWO~2.jpgOn Feb. 28, there was an explosion on the steps of the state capitol building in Nashville. It wasn’t terrorism; in fact, it was a politician who pushed the plunger. Rather, it was a wakeup call, a demonstration of the power—and the danger— of pyro, and it came almost three years to the day that nearly 100 patrons died in a pyro-induced fire at The Station nightclub in Warwick, R.I.

Riders on the Storm

nightmare_May06.jpgIt was a day just like any other Texas day  at the Cotton Bowl: hot and humid. A crew from Showlites was making steady progress, and we were well ahead of schedule that day, putting up a fairly decent-sized lighting rig for a Journey show that was about to be unleashed upon unsuspecting Dallas residents that weekend. The rig was a 400-plus lamp system, not including audience lights and the Molefays that were to be used on the P.A. wings to light two enormous scrims on either side of the screens used for Eidophore (large scale) projections.

At the Copa, I Mean, the Hilton

Disco Ball Stage.jpgAs Las Vegas continues to boom, it seems as if there is constantly a new hotel vying for our evenings (and our checkbooks): Cirque du Soleil shows now outnumber the seats at a blackjack table, Celine Dion performs in her own Coliseum, Elton John fills in when she’s weekending in the Hamptons and Franco Dragone produces everything but burlesque shows.

To compete in this field, venues on the strip are going after big-name performers that can pull in viewers from every generation, including one of the most well-known crooners of modern day, Barry Manilow.

Getting Your Video Freak On

For most event companies, video is a jump that seems too costly to make and the return on investment is questionable. That does not need to be the case with the new technologies being applied to processing equipment and to projectors.

Starting with a small system for corporate A/V or club use, a complete system can be assembled for less than $50,000. The system will include a basic input switcher, the appropriate amps and drivers, cabling, and for simplicity’s sake, one screen and projector.