Puerto Rican artist Rauw Alejandro’s 2023 Saturno World Tour kicked off in February in the Dominican Republic, followed by dates in Puerto Rico, the United States, Canada, Mexico, and Central America. The Saturno tour, and album of the same name, put Alejandro’s talent for world-building front and center. Skits and interludes from the album are integrated into the concert, threading a plotline where he’s lost in a galaxy filled with vaporwave visuals that give a heavy nod to the futurism of the 80s and 90s. The live show is the natural extension of that aesthetic and sonic identity: Miami bass, vibrant colors, holographic aliens, a galactic stage design, and precise choreography coming together to tell a cohesive story. The highly automated, in-the-round tour design feels like an immersive outer space experience and allows the crowd to orbit Alejandro, feeding further into the planetary theme. The tour’s Creative Director is Adrian Martinez.
PRG helped set the tour up for success, providing engineering services to make the ambitious design from Sturdy, where Martinez is Creative Director, tourable, along with crew and equipment for lighting, rigging, cameras, LED, video and automation (via SPGS) for the North American dates. “Something that the team was looking for when it came to searching for its production partners was keeping everything in one house,” explained Alex Soto, who shares the tour Production Manager role with Omar Rodriguez. “PRG is one of the few companies that can do it all.”
Martinez worked closely with Lighting Designer Marcus Jessup of MJL Visions on the overall design. Circles and slight asymmetry were contrasting shapes and rhythms they played with in their design and programming. The most immediately impressive visual component of the build is the circular LED structure, which sits in the middle of the arena. Five automated lighting pods that resemble small UFOs surround the center stage, dipping and spinning throughout the show.
Rigging and Automation
Due to the number of flown elements, rigging was the biggest challenge with the tour design. “The very first thing we needed to attack was the weight,” explains PRG Account Executive Anthony Ciampa, who handled the technical tour planning and the overall scope of equipment. “Just the size of this rig made being able to play the venues on their schedule challenging.”
Ciampa immediately involved his CAD team, who developed preliminary concepts. Next, the rigging department completed a weight study based on the specified products. The original design came in at 230,000 lbs.; the final for touring, 160,000 lbs., just at the A-market arena limit.
The rigging order included 28 automation axis points comprised of five automated lighting pods, a 48” lighting halo, a winch for the alien abduction flying gag, two standard hoist points per mega truss, and five 70′ sticks of mega truss each held by 2-ton hoists. The order also included over 300′ of cable bridges and 150,000′ of cabling.
Due to equipment shortages, Ciampa reached beyond PRG and enlisted SGPS to provide an automation system and crew to operate it.
LED, Cameras & Video Content
The cylindrical LED structure used 470 tiles of 9mm WinVision Air, for a semi-transparent effect, adding another layer of interest to the content. Sturdy’s content design utilizes a UV mapping technique to synch the live content with the 3D visuals, making for dynamic and interactive live effects on the screen. The circular structure gives a unique, unrepeated view from every vantage point.
The camera order included 7 Grass Valley LDX-80 cameras with Fujinon HD Telephoto lenses and 4 Panasonic PTZ Robocams along with a switcher system, power and distro.
Lighting
The lighting order included more than 500 fixtures including GLP JDC1s, Vari-Lite VL2600s, Martin MAC Auras, GLP impression X4 Bars and Washes, plus eight converted Robe BMFL spots with GroundControl® Followspot systems in four areas.
Jaycob Luque at MJL Visions handled the programming, while Jessup focused on the design. Jessup’s go-to for the automated pods were the new VL 3600 Profiles due to factors such as maintenance and availability. They proved to be a great fit, providing superb brightness.
“I wanted to give the feeling of a UFO abduction. I imagine that being very bright and disorienting,” he explained. “So, these exceptionally bright and punchy lighting fixtures on the pods became a priority.” The design also included GLP Impression X-Bars on the stage border. He used these to highlight the dynamic perspectives and views from different sides of the arena, which created diverse experiences for each audience member based on their location.
The blow through LED on the main circular LED structure allowed Jessup to play with the lighting elements in more interactive ways. “Sometimes we shoot light out through the video wall. I enjoy the transparency of the screen in those moments because, even for the people who are on the floor looking up, it really does look like a spaceship,” he said.
Crew
With the support of PRG, the crew, and a team of dedicated professionals, the Saturno tour continues to captivate audiences around the world, solidifying Rauw Alejandro’s position as a rising international pop star.
North American Tour Credit
Executive Producer: Eric Duars Pérez
Production Management: Omar Rodriguez and Alex Soto
Stage Manager: Ronny Garcia
Creative Director: Adrian Martinez, Sturdy
Lighting Designer: Marcus Jessup, MJL Visions
Lighting Programmer: Jaycob Luque, MJL Visions
Lighting Director: Alex Soto Jr.
Content: Sturdy
Video Director: Sean Lee
PRG Account Executive: Anthony Ciampa
PRG Rigging PM: Eric Chabira
PRG PMs: Manuel Loayza, Luke Lewis, Scott Reiter
Lighting
Crew Chief: Jerry “Hodgie” Vierna
FOH Tech: Patrick Warrington
Dimmer Tech: Brad Billions
Moving Light Techs: Ryan Dunn, Jordan Hadwen, Thomas Mayer Jr.
Lighting Tech: Jennifer Kerbs
Ground Control Tech: Matthew Leroux
Dimmer Tech: Scott Naef
Climber: Charlie Boyington
Video
Video Crew Chief: Mason Braislin
Video Engineer: Robert Sullivan
D3 Operator: Victor Murillo
LED Lead: David Keipert
LED Techs: Arturo Alonso, Derrick Brininger, Donovan Delabruere
Camera Assist. / Utility: Christopher Decoteau, Antonio Magana, Gabriel Varela
Rigging
Head Rigger: John Kehoe
Riggers: Thomas Cusimano, Alexander Ritter, Marquis Walker
Learn more about PRG’s work in music touring here
