“The lighting and video were about 80% timecode, so just enough manual action to keep [Lighting Director] Ryan [King] busy all night long. The automation was not on timecode, though, which caused us to turn to live motion tracking for some of the flying gags, especially the Ferrari. I’m really happy with how well that worked with 40 fixtures following it seamlessly. If we had timecoded that and she flew 5 seconds too late or early, it would have looked terrible.” – Chris Smith, Lighting Designer & Programmer on Karol G’s $trip Love Tour
Read all about the design and programming for the Karol G $trip Love Tour in the Jan. 2023 issue of PLSN.
