EINDHOVEN, The Netherlands — Guus Meeuwis’ “Groots met een zachte G” concert has been taking place every year at the Philips Stadium in Eindhoven, the Netherlands. To celebrate the 10th anniversary of the event this year, the artist performed five concerts in the stadium. Each concert was sold out with 35,000 attendees per show. The last one was also broadcast live on Dutch television. Faber AV used two Analog Way’s Ascender 48 multi-screen seamless switchers for the video production.
More details from (www.analogway.com):
The video setup was extremely challenging to provide an unparalleled visual experience for this high-end concert. Faber AV, a leading company in the rental market of LED screens and audiovisual productions, supplied all the video equipment for the concerts. Two weeks of installation were required to produce the demanding setup.
For the stage, Faber AV supplied a massive LED screen of 700sqm (7680x2400px), to display live camera feeds of the artist and graphic content. Two Analog Way’s Ascender 48 multi-screen Seamless Switchers were selected as the main system to feed the LED screen.
Ben Augenbroe, Project Manager at Faber AV explains this choice: “Our client’s biggest concern was the delay between cameras and screens. To find the best system available on the market with the lowest latency, we did several tests. In addition, the device had to be compact due to the restricted space in the FOH while offering extended capabilities in terms of outputs and layers. The tests conducted with the Ascender 48 by vision tools, the Netherlands distributor for Analog Way, were satisfying. Plus the great features on the LiveCoreTM processors such as the Cut & Fill keying are very well adapted for concerts like these.”
When linked together, two Ascender 48s work as one system with inputs and outputs shared an added, resulting in one impressive 24×8+2 Scaled Seamless Matrix system with 2 live Mosaic Previews.
The 8 outputs of the linked system were used and no less than 30 PIPs were created to display all screen content. Sources outputted in 1920×1200 to the LED screen, were a mix of live camera feeds from 8 high- end broadcast cameras with OBV and custom made high- res graphics.
To do extra effects on PIPs and transitions, the Cut & Fill feature was used with 2 x Ascender 32 in Beta version linked together. The Cut & Fill feature, now available on all the LiveCoreTM systems, enabled a perfect fit of custom moving borders on the Native Background. Also, the mask of the gradient PIPs was controlled by a Lightdesk media server in order to dynamically synchronize it with the sound beat.
To ensure optimum safety, 2 x Secure Power Units were connected to the Ascender 48. The Secure Power Unit is an innovative power protection module that provides redundancy against branch circuit failure or unstable power.
The whole show was controlled through the VertigeTM, Analog Way’s powerful premium remote controller. Jimmy Geelen, Analog Way Certified LiveCoreTM Operator was controlling the VertigeTM: “The VertigeTM is perfect for live music events, as it’s very stable and reliable. It’s also accurate on recalling presets with no hick-ups at all and offers great features, lots of presets, cue lists and easy programming.”
To complete the setup, 1 x NeXtage 16 used as extra multi-viewer for backstage and other operators at the FOH.
