PUIDOUX, Switzerland – A complex multiscreen projection set to run for five months in a national pavilion at one of the world’s most prestigious art events – the Venice Biennale – had to work and it had to work well. Scandinavian rental and installation company, Informationsteknik, proposed Dataton’s Watchout as the solution to the playback on five screens but dealing with 11 channels of audio and one screen in 5.1.
More details from Merging Technologies (www.merging.com):
Informationsteknik’s Sebastian Lissau Lund has a background in theatre sound design and has the experience to know that keeping all the elements separate is safer and easier to make cue changes. However, it is often difficult to start all the playout devices precisely at the same time and remain in sync for the 10 minutes of the video and continue looping all day.
Fortunately, a colleague had seen Merging’s Ovation in operation and was impressed with its capability and its ability to synchronize timelines with Watchout. Time was extremely short so a demo was scheduled by Peter Scheelke from Merging DK, the system was ordered and within 24 hours of receiving the system, it was shipped to Venice.
The projections vary in size depending on the scale of the room they inhabit, thus underscoring the spatial element of Jesper Just’s presentation. The exhibition begins before the visitor has entered the pavilion, with architectural interventions defined by Just that create a new geography, engaging the viewer on a visual but also a physical level.
The architecture orchestrates the audience’s relation to the work, choreographing the viewer’s experience of the pavilion. The main projection with 5.1 audio is 14 meters long and 3.5 meters high driven by 4 projectors and there are three additional 16:9 screens and a small 4:3 projection that is about a meter across. The smaller screens have either stereo or mono sound playing from the same Ovation. The material was shot on location in China in 5K using Red cameras. Watchout drives the total projection system with Ovation acting as the slave.
Lund added, “Ovation definitely appeared at the right moment for us and it really ticks the boxes for the ideal system of having two playout systems working separately but in perfect harmony. My only frustration has been not having enough time to play with it before we shipped it out to Venice. Ovation is a welcome addition to our rental stock and I am sure it will see a lot of use in the future.”
